History and Value of Buddhist Architecture in Korea

سال انتشار: 1403
نوع سند: مقاله کنفرانسی
زبان: انگلیسی
مشاهده: 221

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CASGC09_068

تاریخ نمایه سازی: 16 اسفند 1403

چکیده مقاله:

Religious architecture holds significant meaning. By nature, these buildings reflect shared values, history, and cultural heritage, and Buddhist architecture is no exception. These religious structures, which originated in the Indian subcontinent during the ۳rd century, are intended to foster awareness and contemplation. Buddhist architecture, which typically assumes the form of monasteries, prayer halls, or stupas, has gained increasing prominence throughout the world. Modern Buddhist temples and spaces are designed in a variety of styles that reflect the different branches of the religion. The Buddha's life and teachings have inspired artists throughout history, and Korea is no exception. To attain a comprehensive comprehension of Korean culture, it is imperative to acknowledge the significant contribution that Buddhism has made to the advancement of Korean art. The Buddhist art is evident throughout the extensive history of the Korean peninsula. It is worth noting that more than half of the nation's ۲۳۰ National Treasures are Buddhist, comprising at least ۳۷ statues, stone Buddhas, and rock reliefs; ۲۵ pagodas; ۱۴ buildings, ۱۵ stupas, and lanterns; and several bells. Nearly half of Korea’s ۸۴۸ officially designated treasures are Buddhist. These listings extend to national, regional, and local cultural properties, with discoveries being made regularly. The number of treasures could have been much greater if not for the impacts of invasions and the greed of foreign collectors. Many works of Korean Buddhist art can now be found in collections in Japan and the West. All Korean temples are constructed without nails, allowing them to be dismantled and relocated in a true example of interdependence. As these traditional values continue to decline, both monks and laypeople are working to revive ancient Buddhist arts and crafts, including papermaking, bookbinding, and traditional tea ceremonies.

نویسندگان

Tannaz Shakarpazi Khiabani

Roshdiyeh Higher Education Institute, Fereshteh St.۳, South Fereshteh Street, Pasdaran Highway, Tabriz, East Azerbaijan province, Iran