Revitalizing the Art of Persian Miniature Painting in the Urban Landscape and the Function of Citizens' Cultural Capital

Introduction: The urban landscape, which includes a view with physical, functional, and cultural-semantic characteristics, provides a suitable ground for the representation of urban art and plays an important function in revitalizing Persian miniature painting. This article aims to answer the question, “What is the relationship between the cultural capital of citizens and the function of revitalizing traditional miniature paintings in the urban landscape from their perspective?”Research Method: The research method is descriptive-analytical, and data collection was conducted using electronic surveys and an online questionnaire. The SPSS ۲۷ software was used for data analysis at a significance level ۰.۰۵.Findings: The examination of the correlation between citizens' cultural capital variables and the function of revitalizing Persian miniature painting in the urban landscape shows that there is a significant relationship between citizens' fields of study and their interest in art.Conclusion: The analysis of the findings indicates that, in line with Bourdieu's theories, citizens who had a greater interest and awareness of art, and thus a higher cultural competence, believed that the city's landscape was a suitable platform for the revival and recreation of Persian miniature painting. Particularly in the perception of the urban landscape, whether in terms of physical and functional characteristics or cultural-semantic attributes and from the perspective of contemporary citizens, the city's landscape can have a new function in preserving national identity and traditional arts of the community. In fact, increasing contemporary audiences' awareness by enhancing the physical, functional, and cultural-semantic characteristics of the urban landscape is an important strategy for preserving and reviving traditional miniature painting.

کلیدواژه ها:

Persian Miniature Painting ، revitalization ، Urban Landscape ، Cultural capital ، Bourdieu