The Architecture of Grief: Post-۹۱۱ Identity in Don DeLillo's Falling Man

Don DeLillo’s Falling Man (۲۰۰۷) is a profound exploration of grief and identity in the aftermath of the September ۱۱ attacks, situating itself within the broader context of post-۹/۱۱ literature. The novel offers a nuanced portrayal of how trauma reshapes individual lives and collective consciousness in a nation grappling with unprecedented loss. Through the experiences of characters such as Keith Neudecker and Lianne, DeLillo delves into the complexities of navigating personal narratives amidst the chaos of a transformed reality. The architecture of grief manifests in their struggles to reconcile pre-۹/۱۱ identities with the emotional fallout of trauma, illuminating the existential dilemmas faced by many Americans during this pivotal moment in history. Post-۹/۱۱ literature is essential in shaping public discourse around issues of memory, loss, and the quest for identity. It serves not only as a reflection of societal anxieties but also as a platform for articulating individual and collective experiences of grief. By engaging with these themes, Falling Man contributes to a deeper understanding of how narratives of trauma can foster resilience and empathy. DeLillo’s work invites readers to confront the spectral presence of trauma in their own lives, reaffirming the critical role literature plays in processing the complexities of human experience in times of crisis. As a significant entry in post-۹/۱۱ literature, Falling Man exemplifies how fiction can illuminate the enduring impacts of trauma on personal identity and cultural memory.

کلیدواژه ها:

Don DeLillo ، Falling Man ، Post-۹/۱۱ Literature ، Grief ، Identity ، Trauma ، Collective Memory