Nastaliq: Aesthetics of Calligraphy, Mystics; Art Philosophy Approach
سال انتشار: 1403
نوع سند: مقاله کنفرانسی
زبان: انگلیسی
مشاهده: 86
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شناسه ملی سند علمی:
ICAHU01_1242
تاریخ نمایه سازی: 7 اردیبهشت 1404
چکیده مقاله:
The art of calligraphy, like other achievements of human thought, has gone through different eras and has reached its current stage after passing long centuries. In the beginning, the origin of the script was pictorial and sketchy, and each image is considered a representative of an idea or an event. Then came the code stage where each letter represented a word and a picture and a meaning. Calligraphy is one of the most important and influential traditional arts in the Islamic era as mystics. The traditional arts of each society are rooted in the theology that governs that society. The ۷th to ۹th centuries has a very special place in the history of calligraphy, the peak of the development of set items as well as the theoretical foundations and aesthetics of calligraphy such as Nastaliq are also in these centuries. The question of article is how aesthetics between Nastaliq calligraphy and mystics are defined?
کلیدواژه ها:
نویسندگان
S. Abolghasem Hosseini
Associate Professor, itaihe.ac.ir, Qom, Iran
Ali Mahjour
Assistant Professor, itaihe.ac.ir, Qom, Iran
S. Moeenuddin Mirbagheri
PhD Student, itaihe.ac.ir, Qom, Iran
Majid Ahmadi
PhD Student, itaihe.ac.ir, Qom, Iran
S. Amir Ebrahim Razavi
PhD Student, itaihe.ac.ir, Qom, Iran