Aesthetics of Onomatopoeia on Brain, Based on Ibn Sina; Islamic Philosophy Approach

Onomatopoeia from ancient Greek όνοματοποιία; means name, όνομα and τοποιία means I make, is a rhetorical figure. Man is known as a signifier organ or sign interpreter. Onomatopoeia has been used for human beings with the power of innovative imagination to recreate everyday events, as a means of communicating with nature, myth, doing work, communicating with each other. Onomatopoeia guides meaning of words and is first step in interpreting language. Also, both spoken and written forms of the word are a sign of its hidden meaning. All the onomatopoeia actions of human and body need inner brain powers to coordinates between the body and the muscles in rhythmic musical way. If we consider word A and music or rhythmic way B, which will be a power for A, then it will be rhythmic activity of C which will be arranged with each other by onomatopoeia as formal logic. In Eastern philosophy and thought, definition of harmony has deep roots, because it grows and flourishes at its best. In Eastern culture in general, concept of harmony plays a central role in teachings of Confucius. In Tao Te Ching, the ancient Chinese philosopher, emphasized the importance of living in harmony with nature for the realization of inner balance and peace. Ibn Sina, while discussing the inner powers such as power of motive, motahareke, means stimulus and power of nomination, namiye, clearly mentions that they also need physical tools and determines the place of each of those tools in the brain. The animal or organic soul needs the body in all its actions. Because these actions are carried out by external senses and internal powers, these powers are in the body of devices and organs and without which the soul will be unable to be sensitive and perceive things sensibly. The question of article is according to Ibn Sina how onomatopoeia cause the coordination between sound and rhythmic body movements is made in the brain?

کلیدواژه ها:

Ibn Sina ، Brain ، Power ، Aesthetics ، Onomatopoeia ، Nomination ، Stimulus ، Formal Logic