Indian jewellery and its varieties

سال انتشار: 1402
نوع سند: مقاله کنفرانسی
زبان: انگلیسی
مشاهده: 125

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TCACONF13_052

تاریخ نمایه سازی: 7 تیر 1403

چکیده مقاله:

Man has long tried to show himself more elegant and beautiful, and this thirst seems unquenchable. In these years, the use of decorations became the symbol and culture of many of those nations. In this regard, the ancient use of gold by Indians is very prominent and significant. India is one of the largest markets for gold, and growing affluence is driving growth in demand. Gold has a central role in the country’s culture, considered a store of value, a symbol of wealth and status and a fundamental part of many rituals. Gold is central to more personal life events too. Gifting gold is a deeply ingrained part of marriage rituals in Indian society, weddings generate approximately ۵۰ percent of annual gold demand in India.Indian jewellery is unique in its design and workmanship. India and jewellery, jewellery and Indian women – terms are linked inherently. The art of making beautiful ornaments, with delicacy and acumen, has been developed throughout historical times. Jewellery is made for almost all the parts of the body and it is and it is also designed to match with the attire. Indian jewellery inspires passion unlike any other object of desire. Every woman in India loves to wear at least a small piece of gold jewellery either in the form of glittering neckwear ornament, or dangling earrings or exquisitely crafted bangles. Even men wear simple gold ornaments like rings, bracelets and chains. Thus, we can say that everyone has been moved by the beauty of gold jewellery and it has become a part of their culture and tradition. Therefore, in this article, by studying related books, articles and sites and collecting materials on the topic of Indian jewellery, including history, gold mines, and introducing various types of jewellery, with the aim of familiarizing readers and enthusiasts and designers of clothing and jewellery, a detailed review and Its professionally done.

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نویسندگان

Zahra Alsadat Musavi

Master of textile and clothing design, Marlik University Nowshahr, Iran

Ali Mahmoudi Alami

Assistant Professor of Art Department, Marlik University Nowshahr, Iran