"Cursed Watch" F.Z. Jalali in the context of F.M. Dostoevsky's poetics
محل انتشار: پژوهشنامه زبان و ادبیات روسی، دوره: 5، شماره: 1
سال انتشار: 1396
نوع سند: مقاله ژورنالی
زبان: روسی
مشاهده: 83
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شناسه ملی سند علمی:
JR_RLLR-5-1_002
تاریخ نمایه سازی: 28 بهمن 1402
چکیده مقاله:
This article analyzes the story known Iranian writer Firuz Zanuzi Jalali. "Cursed Watch" compared with the works of F.M. Dostoevsky, are analogous to the events of the novel "Crime and Punishment". There are Parallels between street accidents, there are similarities in the descriptions seen by the characters, marked similarities in the descriptions of the paintings, which have seen characters, similarities in the image of their rooms and the proximity of the portrait details. We compare the characters of the main characters – Sakit and Raskolnikov; it proves that each of them is governed by specific principles. Raskolnikov checks its exclusivity, committing murder; hero mired in pride, he is moving away from people. The actions of the Sakit is not so radical, but they are distinguished by the same setting – nowhere to get used to and do not bind; this desire means a willingness to reject love. Adoption of the subconscious, antisocial nature of the reflex principle in man – an important idea, uniting works of Russian and Iranian writers. The result produced by comparing the conclusion that the two main characters go from a sense of their own exceptionalism awareness of the community.This article analyzes the story known Iranian writer Firuz Zanuzi Jalali. "Cursed Watch" compared with the works of F.M. Dostoevsky, are analogous to the events of the novel "Crime and Punishment". There are Parallels between street accidents, there are similarities in the descriptions seen by the characters, marked similarities in the descriptions of the paintings, which have seen characters, similarities in the image of their rooms and the proximity of the portrait details. We compare the characters of the main characters – Sakit and Raskolnikov; it proves that each of them is governed by specific principles. Raskolnikov checks its exclusivity, committing murder; hero mired in pride, he is moving away from people. The actions of the Sakit is not so radical, but they are distinguished by the same setting – nowhere to get used to and do not bind; this desire means a willingness to reject love. Adoption of the subconscious, antisocial nature of the reflex principle in man – an important idea, uniting works of Russian and Iranian writers. The result produced by comparing the conclusion that the two main characters go from a sense of their own exceptionalism awareness of the community.
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نویسندگان
Елена Завьялова
Профессор Астраханского государственного университета, Астрахань, Россия
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