Psychosemiotic Analysis of “Sensibility” in Jane Austen’s literary Adaptation of Sense and Sensibility

The primary goal of this article's Psychosemiotic analysis of the ۱۹۹۵ adaptation of Jane Austen's "Sense and Sensibility" is to examine how signs and symbols in the adaptation depict sensibility as one of the major psychological traits. A person who is thought to have heightened or deeper central nervous system sensibility to physical, emotional, or social stimuli is known as a highly sensible individual. In order to respond to this query, certain images from the chosen adaptation were taken and subjected to Psychosemiotic analysis. In this approach, we study symbols and clues in relation to a psychological idea. It might be any kind of activity such as an action, process, or pattern of behavior that uses psychological signals to transmit either unintentionally or deliberate meaning. By using this strategy, the multimodality proposed by Kress and van Leeuwen in their book "Reading Images: The Grammar of Visual Design" is used to investigate the psychological notion of sensibility. Using this approach, the chosen images are analyzed in three different but interrelated stages: compositional, interactive, and representational images. There are subsets for each of the items: narrative or conceptual for representational images; contact, distance, and point of view for interactive meaning; and information value, framing, salience, and modality for compositional images. Consequently, it can be concluded that any idea and concept can be transmitted and represented through the use of signs. In this case study, there is the concept of sensibility, which is depicted

کلیدواژه ها:

Psychosemiotic Analysis ، Sensibility ، Jane Austen ، literary Adaptation ، Sense and Sensibility