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Artwork from Gadamer s Point of View

عنوان مقاله: Artwork from Gadamer s Point of View
شناسه ملی مقاله: ICPCEE04_100
منتشر شده در چهارمین کنفرانس بین المللی پژوهش در روانشناسی،مشاوره و علوم تربیتی در سال 1398
مشخصات نویسندگان مقاله:

amir faiyaz - Master of Arts in Visual Communication, Art teacher of the Department of Education and Training, Bojnourd, Iran.

خلاصه مقاله:
In Gadamer s view, the main problem of audience is that to reconstruct and return the artwork to the initial state of its time is meaningless; however, it is to unite the work of art and attention to the melody that this work is of relevance to the present age of the audience. The method of conducting the descriptive-analytic research is library and survey methods; it is an applied research in terms of criterion, and cross-sectional research in terms of time criterion. Data were collected using a questionnaire. The number of respondents is 50 people, the samples were selected randomly from among the artistic and non-artistic people; its dimensions indicate that the audience creates the meaning in opposition to the work and invites the overall structure of the work to react. Thus, the author s intention is perhaps one of the things that the audience sometimes expresses briefly. As a result, only the audience can determine the extent to which certain norms must be rejected or taken into account; the experience of each audience is very important in this process.

کلمات کلیدی:
Audience, Meaning, Artwork, Hermeneutics, Gadamer

صفحه اختصاصی مقاله و دریافت فایل کامل: https://civilica.com/doc/971678/