Investigating the “Infinite Real” in Jennifer Egan’s A Visit from the Goon Squad: A Metamodernist Approach

  • سال انتشار: 1401
  • محل انتشار: مجله زبانشناسی کاربردی و ادبیات کاربردی: دینامیک و پیشرفت، دوره: 10، شماره: 2
  • کد COI اختصاصی: JR_JALDA-10-2_014
  • زبان مقاله: انگلیسی
  • تعداد مشاهده: 119
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نویسندگان

Maryam Azadanipour

MA in English Literature, Razi University, Kermanshah, Iran, https://orcid.org/۰۰۰۰-۰۰۰۲-۱۷۵۶-۴۵۲۹

Naser Maleki

Associate Professor of English Literature, English Department, Faculty of Humanities, Razi University, Kermanshah, Iran, https://orcid.org/۰۰۰۰-۰۰۰۱-۶۳۷۹-۳۱۱۴

Mohammad-Javad Hajjari

Assistant Professor of English Literature, English Department, Faculty of Humanities, Razi University, Kermanshah, Iran, https://orcid.org/۰۰۰۰-۰۰۰۲-۲۷۰۴-۴۹۳۰

چکیده

The ۲۱st-century literature has experienced a shift of ideas reflected in metamodernism, introduced by Vermeulen and Akker in ۲۰۱۰. Although metamodernism is a critical approach in its naissance, it is observable in a large body of the ۲۱st-century literature through certain narrative and thematic features which have proven to move in line with contemporary socio-cultural issues. Although metamodernism plays with and modifies specific elements of modernism and postmodernism, it is exclusive to the artworks of the last two decades in which certain terminologies such as the “infinite Real,” an aversion of the “Real” in former philosophical and psychological disciplines, suggest that truth and reality are infinite and that the past and the future are connected through a plastic connection. A Visit from the Goon Squad (۲۰۱۰) by Jennifer Egan makes a good example of the metamodernist novel regarding the author’s network of characters in their approaches toward the reality of their lives as it is constantly redefined in association with their past. In this light, the novel is to thematically embed the concept of the “infinite Real” in the first decade of the third millennium.

کلیدواژه ها

A Visit from the Goon Squad, infinite Real, historioplastic metafiction, Jennifer Egan, metamodernism

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